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Despacito and the Year Latin Music Stopped Asking Permission

11 de abril de 2026

For most of the twenty-first century, the global music industry has been a market that converts other languages into English.…

Gangnam Style, the K-Pop Watershed That Forced YouTube to Add a Bigger Counter

9 de abril de 2026

On 21 December 2014 YouTube engineers updated the platform’s view counter. It had previously been a 32-bit integer, capable of…

Bad Bunny and the Strategy of Refusing to Sing in English

7 de abril de 2026

Between 2020 and 2024, the most-streamed artist on Spotify three years running was not Drake, not Taylor Swift and not…

Taylor Swift, the Eras Tour and the Economic Footprint of a One-Person Cultural Industry

5 de abril de 2026

By 2024, Taylor Swift’s career had moved beyond the conventional vocabulary of pop stardom and into the territory of macroeconomic…

Cocomelon: Inside the Three-Billion-Dollar Children’s Brand That Almost Nobody Has Heard Of

3 de abril de 2026

Cocomelon is not a household name in the way Disney or Sesame Street are. Most adults without small children would…

Afrobeats Goes Global: How Lagos Became a Center of Gravity for Pop Music

1 de abril de 2026

Ten years ago, “Afrobeats” was barely recognised as a coherent category outside Lagos, London and a few American urban radio…

K-pop on Streaming: How Korean Groups Built a Global Charts Strategy From Outside the English-Language Mainstream

30 de março de 2026

K-pop’s relationship with global streaming is the result of a generation-long strategic project by Korea’s major entertainment agencies. From the…

YouTube Shorts and the Quiet Counter-Programming of the Short-Form Era

28 de março de 2026

For most of YouTube’s history, the platform’s identity rested on long-form video. The horizontal player, the recommended sidebar, the channel…

Snapchat’s Quiet Decade: How a Disappearing-Messages App Survived Three Existential Threats

26 de março de 2026

By any reasonable standard, Snapchat should have died several times over. Facebook offered to acquire it for three billion dollars…

Drake and the Architecture of the Streaming-Era Hit Machine

24 de março de 2026

Few artists have understood the structural shift from album-and-radio music to algorithmic streaming as clearly as Aubrey Drake Graham. The…

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